Marina Piccinini (born 1963) is an Italian-American virtuoso flute. She is noted for her performances of compositions by Mozart and Bach,
and has performed with many of the world's top orchestras and conductors.
She began playing the flute at age 10 while living in St. John's, Newfoundland, and was self-taught. At the age of 16 she graduated from high School and moved to Toronto to study with Jeanne Baxtresser at the University of Toronto. Two years later, at the invitation of Julius Baker, she moved to New York City to study with him at the Juilliard School on scholarship, where she attained both a bachelor's and a master's degree.
During her years at the Juilliard School she also studied with Aurèle Nicolet in Switzerland.
Piccinini has performed as a soloist with the Boston Symphony Orchestra, the London Philharmonic Orchestra, the Tokyo Symphony Orchestra, Montreal Symphony Orchestra, Rotterdam Philharmonic Orchestra, National Symphony Orchestra, St. Louis Symphony Orchestra, the Hanover Symphony Orchestra and many others throughout the United States. She has worked with such conductors as Alan Gilbert, Seiji Ozawa, Kurt Masur, Pierre Boulez, Leonard Slatkin, Stanisław Skrowaczewski, Peter Oundjian, Esa-Pekka Salonen, Myung-whun Chung, and Gianandrea Noseda.
Piccinini has performed at New York's Town Hall, London's Southbank Centre and Wigmore Hall, the Weill Recital Hall and Zankell Hall of Carnegie Hall in New York City, Kennedy Center in Washington, D.C. and at the Mozart Saal in Vienna's Konzerthaus. She is a regular performer in Japan. She has collaborated with the pianist Mitsuko Uchida and numerous string quartets (such as Tokyo, Brentano, Mendelssohn, and Takács quartets) and has performed at the Casals Hall and Suntory Hall in Tokyo and at the Saito Kinen Festival. Piccinini is also a frequent guest at the Marlboro Festival in Vermont, as well as at other summer festivals such as the Salzburg Festival, ) and Italy (Spoleto Festival) and Germany (Rheingau Musik Festival, , Augsburg Festival) .
In September, 2001, Piccinini joined the faculty of the Peabody Institute and has made a name for herself as a teacher of flute. Piccinini is married to the pianist Andreas Haefliger; the pair have performed and recorded together. Piccinin was performing with husband Haefliger at least as far back as 1992, when they put on a performance together on January 31, 1992, at the Sherwood Auditorium of the San Diego Museum of Contemporary Art. Piccinini permanently lived in New York City until 2002 when she relocated to Austria after being traumatized by the September 11 terrorist attacks, but still maintains a home in New York City. Piccinini has also requested flute concerto compositions from composers such as Paquito D'Rivera, notably The Bel Air Concerto
Michael Colgrass (The Wild riot of the Shaman's Dreams (solo flute), A Flute in the Kingdom of Drums and Bells (flute and percussion quartet) and Crossworlds (Concerto for flute and piano)), Matthew Hindson (House Music) and others.Since making her acclaimed debuts in New York's Town Hall, London's Southbank Centre, and Tokyo's Suntory Hall, Piccinini has been in demand both as a recitalist and soloist with orchestras in the United States, Canada, Europe, and Japan. She has been soloist with the Boston Symphony Orchestra, the London Philharmonic, the Tokyo Symphony, St. Paul Chamber Orchestra, Montreal Symphony, Rotterdam Philharmonic, National Symphony Orchestra, Saint Louis Symphony, Minnesota Orchestra, Ottawa's National Arts Centre Orchestra; the Hannover Symphony in Germany, the Ravenna Chamber Orchestra in Italy and the Vienna Chamber Soloists; as well as the Cincinnati, New World, Toronto, Vancouver, Detroit, Phoenix, and Milwaukee symphony orchestras, and has worked with such conductors as Alan Gilbert, Seiji Ozawa, Kurt Masur, Pierre Boulez, Leonard Slatkin, Stanislaw Skrowaczewski, Peter Oundjian, Esa-Pekka Salonen, Myung-whun Chung, and Gianandrea Noseda.
Piccinini also performs with great frequency in recitals worldwide, with recent appearances in London's Wigmore Hall, Tokyo's Casals Hall, the Seoul Arts Center, the Kennedy Center in Washington, and the Mozart Saal in Vienna's Konzerthaus. Deeply committed to the music of the present, recent seasons have been highlighted by significant world premiere performances of concerti and solo works by Michael Colgrass, Paquito D'Rivera, Matthew Hindson, Miguel Kertsman, Lukas Foss, Michael Torke, John Harbison, Marc-André Dalbavie, David Ludwig and Roberto Sierra.
A devoted chamber musician, Piccinini has collaborated with the Tokyo, Brentano, Mendelssohn, and Takács string quartets and with the Percussion ensemble Nexus. Piccinini is a regular participant at the Marlboro Festival, often touring with Musicians From Marlboro. She has also performed at the Salzburg Festival, Mostly Mozart, Santa Fe, Spoleto (Italy), La Jolla, Newport, Davos, Tivoli, Rheingau, Moritzburg and Kuhmo Festivals, among others. A frequent guest artist in Japan, Piccinini performed (by personal invitation of Seiji Ozawa) at the Saito Kinen Festival in Japan, and has appeared with noted pianist Mitsuko Uchida in a series of concerts at the Suntory Hall in Tokyo and worldwide at Carnegie Hall's Weill Recital Hall, Zankell Hall. Most recently she completed a European tour which included such prestigious halls as Amsterdam's Concertgebow, Cologne's Philharmonie and the Barbican Centre in London. Piccinini has also been guest principal flute with both the Boston Symphony and the New York Philharmonic.
Piccinini's latest CD release is a double CD set of the complete flute sonatas of J. S. Bach (including the Solo Partita) in collaboration with the Brasil Guitar Duo for the British label Avie. Other recent recordings include a collaboration with pianist Andreas Haefliger of the sonatas of Prokofiev and Franck (Avie), "Belle Époque (Paris, 1880–1913)", with pianist Anne Epperson, (claves) and a disc with pianist Eva Kupiec of sonatas by Bartok, Martinu, Schulhoff, Dohnányi, and Taktakishvili (claves).
Piccinini's career was launched when she won first prize in the CBC Young Performers Competition in Canada, and a year later, first prize in New York's Concert Artists Guild International Competition. She was cited by Musical America as a "Young Artist to Watch", and in 1991 she became the first flutist to win the coveted Avery Fisher Career Grant from Lincoln Center. She has been the recipient of numerous awards and grants including twice the NEA's Solo Recitalist Grant, the McMeen-Smith Award, the BP Artists Career Award, and various grants from the Canada Council. She was also the winner in the New York Flute Club competition and the National Arts Club Competition.
Piccinini began her flute studies in Toronto with Jeanne Baxtresser, received her BM and MM degrees from the Juilliard school where she studied with the legendary flutist Julius Baker and worked with Aurele Nicolet in Switzerland. Piccinini frequently gives master classes around the world and is currently on the faculty of the Peabody Institute.
Piccinini is married to the pianist Andreas Haefliger; along with their daughter they divide their time between Vienna and New York.
In 2010 she released an album recording of the complete Flute Sonatas of J. S. Bach in collaboration with the Brasil Guitar Duo, who also won a scholarship at the Concert Artists Guild .
She is professor of flute at the Peabody Institute of the Johns Hopkins University in Baltimore and was previously also professor at the Hochschule für Musik, Theater und Medien Hannover. She is the founder and director of MPIMC (Marina Piccinini international Competition) and a long time resident artist at the Marlboro Music Festival.
Other works include Toshio Hosokawa ( Arabesque), John Harrison ( Mark the Date), Tebogo Monnakgotla ( it is the lark that sings...), Marc-Andre Dalbavie (Nocturne), Roberto Sierra.
She is the founder and director of the Marina Piccinini International Masterclasses (MPIMC). From 2008 to 2016, MPIMC was held at the Peabody institute. In 2017 they began a new relationship with the New World Symphony and consequently the classes were held at the New World Center in Miami Beach. In 2020, due to the corona virus pandemic, MPIMC moved to an online platform, creating MPIMC Online. In 2022 MPIMC began yet another relationship, hosting live classes at the Potash Hill Campus of the Marlboro Music Festival and School. In 2023 MPIMC hosted a mini Pop-Up Online session "All about Auditions"
Piccinini has given masterclasses around the world in various institutions, festivals, and settings. Unitil 2005 she was the flute professor at the Muraltengut Stiftung für Musik in Zurich, Switzerland.
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